SSC Unit: 7 Lesson 2 (B) The art of silence
Culturally rich Bangladesh is the homeland of an artist whose fame took him across the border and honoured him with different national and international awards. Have you heard about Partha Pratim Majumder?
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He is a maestro performer of mining art. If food is nutrition for a body, art is the nutrition of soul. To keep the souls alive and fresh different arts like music, dance, paintings have evolved during the ancient time.
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Humankind has tried to express himself from the very beginning of civilization. These expressions have taken the forms of art with the touch of his creativity expressing the untold in silence.
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It is an art of depicting a character, mood, idea or narration through gestures and bodily movements without any utterance. This ancient dramatic entertainment represents the primitive time when people would use signs as a medium of communication.
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In Bangladesh, the boy named Partha Pratim Majumder from Pabna overwhelmed people with this art. He left people memorized by his graceful presentation of art of silence.
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It was like a new era in theater art in Bangladesh when Partha came with effort to make people look at their everyday experience, but in a new form. He made people reveal meanings for all trivial things of life which they experience, but in a new form.
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He made people reveal meanings for all trivial things of life which they usually would overlook. He used to depict stories of sadness, laughter, different characters, birds, insects or even animals through his miming.
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Some of his topics are the portrayal of a thief stealing, one-side love, picking up flower and hurting it, delicate changes in nature, etc. His actions often led one-sided love, picking up flower and hurting it, delicate changes in nature, etc.
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His actions often led audience to their conscience on different issues. He is regarded as the pioneer of miming in Bangladesh. Partha Cherished a passion from his very childhood.
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He was born in to a very cultural minded family on 18 January in 1954. His photographer father nurtured him as a passionate love of art. The family resided in a village called Kalachandrapara.
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There used to be a lot of cultural programmes in kalachandpara in those days which had an impeccable influence on Parthaâs affection for art.
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Destiny introduced Partha to a mime artist Mr. Jogesh Dutta in 1966 when he went to live at his auntâs home Chandernagar, 30 kilometers away from Kolkata.
ā§§ā§¯ā§Ŧā§Ŧ āĻ¸āĻžāĻ˛ā§ āĻĒāĻžāĻ°ā§āĻĨ āĻ¯āĻāĻ¨ āĻāĻ˛āĻāĻžāĻ¤āĻž āĻĨā§āĻā§ ā§Šā§Ļ āĻāĻŋāĻ˛ā§āĻŽāĻŋāĻāĻžāĻ° āĻĻā§āĻ°ā§ āĻāĻžāĻāĻĻāĻ¨āĻāĻ°ā§ āĻ¤āĻžāĻāĻ° āĻŽāĻžāĻ¸āĻŋāĻ° āĻŦāĻžā§āĻŋāĻ¤ā§ āĻĨāĻžāĻāĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻāĻŋā§ā§āĻāĻŋāĻ˛ā§āĻ¨, āĻ¤āĻāĻ¨ āĻ¨āĻŋā§āĻ¤āĻŋ āĻ¤āĻžāĻāĻā§ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻļāĻŋāĻ˛ā§āĻĒā§ āĻŦāĻžāĻŦā§ āĻā§āĻā§āĻļ āĻĻāĻ¤ā§āĻ¤ā§āĻ° āĻ¸āĻžāĻĨā§ āĻĒāĻ°āĻŋāĻā§ āĻāĻ°ā§ āĻĻāĻŋā§ā§āĻāĻŋāĻ˛āĨ¤
Partha could foresee his future and got admission in Mr. Duttaâs mime academy in Kolkata. The major lift up of his life was when he presented a solo performance at Bangladesh Shilpakala Academy in 1979.
āĻĒāĻžāĻ°ā§āĻĨ āĻ¤āĻžāĻ° āĻāĻŦāĻŋāĻˇā§ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻā§ āĻāĻāĻžāĻŽ āĻā§āĻ¨ā§āĻ, āĻāĻ˛āĻāĻžāĻ¤āĻžā§ āĻĻāĻ¤ā§āĻ¤ āĻŦāĻžāĻŦā§āĻ° āĻŽāĻžāĻāĻŽ āĻāĻāĻžāĻĄā§āĻŽāĻŋāĻ¤ā§ āĻāĻ°ā§āĻ¤āĻŋ āĻšāĻ¨āĨ¤ āĻ¤āĻžāĻ° āĻā§āĻŦāĻ¨ā§āĻ° āĻ¸āĻŦāĻā§ā§ā§ āĻŦā§ āĻ¸ā§āĻ¯ā§āĻ āĻšā§ āĻ¯āĻāĻ¨ āĻ¤āĻŋāĻ¨āĻŋ ā§§ā§¯ā§ā§¯ āĻ¸āĻžāĻ˛ā§ āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļ āĻļāĻŋāĻ˛ā§āĻĒāĻāĻ˛āĻž āĻāĻāĻžāĻĄā§āĻŽāĻŋāĻ¤ā§ āĻāĻāĻāĻŋ āĻāĻāĻ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻāĻ°ā§āĻ¨āĨ¤
The then French Ambassador in Bangladesh Mr. Loic Moreau, having observed his talent as an audience in that programme, offered him a scholarship at France.
āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļā§āĻ° āĻĢā§āĻ°āĻžāĻ¨ā§āĻ¸ā§āĻ° āĻ¤ā§āĻāĻžāĻ˛ā§āĻ¨ āĻ°āĻžāĻˇā§āĻā§āĻ°āĻĻā§āĻ¤ āĻŽāĻŋ. āĻ˛āĻāĻ āĻŽāĻ°āĻŋāĻ āĻ¸ā§āĻ āĻ āĻ¨ā§āĻˇā§āĻ āĻžāĻ¨ā§āĻ° āĻāĻāĻāĻ¨ āĻĻāĻ°ā§āĻļāĻ āĻšāĻŋāĻ¸ā§āĻŦā§ āĻ¤āĻžāĻāĻ° āĻŽā§āĻ§āĻž āĻ āĻŦāĻ˛ā§āĻāĻ¨ āĻāĻ°ā§ āĻ¤āĻžāĻāĻā§ āĻĢā§āĻ°āĻžāĻ¨ā§āĻ¸ā§ āĻāĻāĻāĻŋ āĻŦā§āĻ¤ā§āĻ¤āĻŋāĻ° āĻĒā§āĻ°āĻ¸ā§āĻ¤āĻžāĻŦ āĻĻā§āĻ¨āĨ¤
Partha took all opportunities to learn from Mr. Etinne Decroux and Mr. Marcel Marceau, both of whom were legendary genius of miming at that time in Paris.
āĻĒāĻžāĻ°ā§āĻĨ āĻĒā§āĻ¯āĻžāĻ°āĻŋāĻ¸ā§āĻ° āĻ¸ā§āĻ āĻ¸āĻŽā§āĻāĻžāĻ° āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ā§āĻ° āĻĻā§āĻāĻ¨ āĻĒā§āĻ°āĻā§āĻ¯āĻžāĻ¤ āĻĒā§āĻ°āĻ¤āĻŋāĻāĻž āĻŽāĻŋ. āĻāĻāĻŋāĻ¨ āĻĄāĻŋāĻāĻ°ā§āĻā§ āĻ¸ āĻ āĻŽāĻŋ. āĻŽāĻžāĻ°āĻ¸ā§āĻ˛ āĻŽāĻžāĻ°āĻ¸āĻŋāĻāĻ° āĻ¨āĻŋāĻāĻ āĻĨā§āĻā§ āĻļā§āĻāĻžāĻ° āĻ¸āĻŦ āĻ§āĻ°āĻ¨ā§āĻ° āĻ¸ā§āĻ¯ā§āĻ āĻā§āĻ°āĻšāĻŖ āĻāĻ°ā§āĻ¨āĨ¤
He was trained in the mime school called âEcole International de Mimodrame de Paris Marcel Marceauâ. Gradually he became a very artist performing in Europe and America and he was highlighted in media too.
āĻ¤āĻŋāĻ¨āĻŋ āĻāĻā§āĻ˛ā§ āĻāĻ¨ā§āĻāĻžāĻ°āĻ¨ā§āĻ¯āĻžāĻļāĻ¨āĻžāĻ˛ā§ āĻĄāĻž āĻŽāĻŋāĻŽā§āĻĄā§āĻ°ā§āĻāĻŽā§ āĻĄāĻž āĻĒā§āĻ¯āĻžāĻ°āĻŋāĻ¸ā§ āĻŽāĻžāĻ°āĻ¸ā§āĻ˛ā§ āĻŽāĻžāĻ°āĻ¸āĻŋāĻ āĻ¨āĻžāĻŽāĻ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻŦāĻŋāĻĻā§āĻ¯āĻžāĻ˛ā§ā§ āĻĒā§āĻ°āĻļāĻŋāĻā§āĻˇāĻŖāĻĒā§āĻ°āĻžāĻĒā§āĻ¤ āĻšāĻ¨āĨ¤ āĻā§āĻ°āĻŽāĻļ āĻ¤āĻŋāĻ¨āĻŋ āĻāĻāĻ°ā§āĻĒ āĻ āĻāĻŽā§āĻ°āĻŋāĻāĻžāĻ° āĻ āĻāĻŋāĻ¨ā§ āĻļāĻŋāĻ˛ā§āĻĒā§ āĻšāĻŋāĻ¸ā§āĻŦā§ āĻŦā§āĻļ āĻŦā§āĻ¯āĻ¸ā§āĻ¤ āĻšā§ā§ āĻĒā§ā§āĻ¨ āĻāĻŦāĻ āĻāĻŖāĻŽāĻžāĻ§ā§āĻ¯āĻŽā§āĻ āĻ¤āĻžāĻā§ āĻŦā§āĻ¯āĻžāĻĒāĻāĻāĻžāĻŦā§ āĻĒā§āĻ°āĻžāĻ§āĻžāĻ¨ā§āĻ¯ āĻĻā§āĻā§āĻž āĻšā§āĨ¤
Later on this Bangladeshi legendary mime artist received âThe Moliere awardâ in the year 2009 which is the highest honourable accolade in the French Theater. Next year, he was honoured with âEkushey Padakâ for contributing to Bangladesh.
āĻĒāĻ°āĻŦāĻ°ā§āĻ¤ā§āĻ¤ā§ āĻāĻ āĻĒā§āĻ°āĻā§āĻ¯āĻžāĻ¤ āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļāĻŋ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻļāĻŋāĻ˛ā§āĻĒā§ ā§¨ā§Ļā§Ļā§¯ āĻ¸āĻžāĻ˛ā§ āĻĢāĻ°āĻžāĻ¸āĻŋ āĻĨāĻŋā§ā§āĻāĻžāĻ°ā§āĻ° āĻ¸āĻŦāĻā§ā§ā§ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻ¸ā§āĻāĻ āĻĒā§āĻ°āĻ¸ā§āĻāĻžāĻ° āĻĻā§āĻ¯āĻž āĻŽāĻ˛āĻŋā§āĻžāĻ° āĻāĻā§āĻžāĻ°ā§āĻĄ āĻ˛āĻžāĻ āĻāĻ°ā§āĻ¨āĨ¤ āĻĒāĻ°āĻŦāĻ°ā§āĻ¤ā§ āĻŦāĻāĻ°, āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻļāĻŋāĻ˛ā§āĻĒā§ āĻ āĻŦāĻĻāĻžāĻ¨ āĻ°āĻžāĻāĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻ¤āĻžāĻāĻā§ āĻāĻā§āĻļā§ āĻĒāĻĻāĻ āĻĻāĻŋā§ā§ āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻŋāĻ¤ āĻāĻ°āĻž āĻšā§āĨ¤
He was also awarded with Chevalier de Iâodre des Art des Lettersâ (Knight in the order of Arts and Humanities) in 2012 for his contribution all over the world.
āĻŦāĻŋāĻļā§āĻŦ āĻā§ā§ā§ āĻ¤āĻžāĻāĻ° āĻ āĻŦāĻĻāĻžāĻ¨ā§āĻ° āĻāĻ¨ā§āĻ¯ ā§¨ā§Ļā§§ā§¨ āĻ¸āĻžāĻ˛ā§ āĻ¤āĻžāĻāĻā§Â Chevalier de Iâodre des Art des Lettersâ (Knight in the order of Arts and Humanities) âāĻ āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻāĻ°āĻž āĻšā§āĨ¤
This great artist is now looking forward to opening an international miming institute in Bangladesh. We hope more Partha Pratim Majumder comes out from the dream institution.
āĻāĻ āĻŽāĻšāĻžāĻ¨ āĻļāĻŋāĻ˛ā§āĻĒā§ āĻŦāĻžāĻāĻ˛āĻžāĻĻā§āĻļā§ āĻāĻ¨ā§āĻ¤āĻāĻžāĻ°ā§āĻ¤āĻŋāĻ āĻŽāĻžāĻ¨ā§āĻ° āĻāĻāĻāĻŋ āĻŽā§āĻāĻžāĻāĻŋāĻ¨ā§ āĻĒā§āĻ°āĻ¤āĻŋāĻˇā§āĻ āĻžāĻ¨ āĻ¸ā§āĻĨāĻžāĻĒāĻ¨ āĻāĻ°āĻžāĻ° āĻāĻ¨ā§āĻ¯ āĻĒā§āĻ°āĻ¤ā§āĻā§āĻˇāĻž āĻāĻ°āĻā§āĻ¨āĨ¤ āĻāĻ°ā§ āĻ āĻ¨ā§āĻ āĻĒāĻžāĻ°ā§āĻĨ āĻĒā§āĻ°āĻ¤āĻŋāĻŽ āĻŽāĻā§āĻŽāĻĻāĻžāĻ° āĻāĻ āĻ¸ā§āĻŦāĻĒā§āĻ¨ā§āĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻˇā§āĻ āĻžāĻ¨ āĻĨā§āĻā§ āĻŦā§āĻ°āĻŋā§ā§ āĻāĻ¸āĻŦā§- āĻāĻāĻŋ āĻāĻŽāĻžāĻĻā§āĻ° āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻžāĻļāĻžāĨ¤
English | evsjv |
Vocabulary
1.Across (prep) 2.Award (n) 3.Maestro (n) 4.Nutrition (n) 5.Evolve (v) 6.Civilization (n) 7.Creativity (n) 8.Touch (n) |
āĻļāĻŦā§āĻĻ āĻ¸āĻŽāĻžāĻšāĻžāĻ°
1.āĻāĻĒāĻžāĻ°ā§ 2.āĻĒā§āĻ°āĻ¸ā§āĻāĻžāĻ° 3.āĻāĻ¸ā§āĻ¤āĻžāĻĻ, āĻā§āĻŖā§ 4.āĻĒā§āĻˇā§āĻāĻŋ 5.āĻŦāĻŋāĻāĻļāĻŋāĻ¤ āĻāĻ°āĻž āĻŦāĻž āĻšāĻā§āĻž 6.āĻ¸āĻā§āĻ¯āĻ¤āĻž 7.āĻ¸ā§āĻāĻ¨āĻļā§āĻ˛āĻ¤āĻž 8.āĻ¸ā§āĻĒāĻ°ā§āĻļ, āĻā§āĻā§āĻž |
English | evsjv |
9. Gesture (n)
10. Movement (n) 11. Utterance (n) 12. Entertainment (n) 13. Represent (v) 14. Primitive (adj) 15. Mesmerize (v) 16. Presentation (n) 17. Era (n) |
ā§¯. āĻāĻļāĻžāĻ°āĻž/ āĻāĻā§āĻāĻŋāĻ¤, āĻāĻā§āĻāĻŋ
ā§§ā§Ļ. āĻāĻ¤āĻŋāĻļā§āĻ˛āĻ¤āĻž, āĻāĻ¤āĻŋāĻŽā§āĻ¤āĻž ā§§ā§§. āĻāĻā§āĻāĻžāĻ°āĻŖ ā§§ā§¨. āĻāĻŋāĻ¤ā§āĻ¤āĻŦāĻŋāĻ¨ā§āĻĻāĻ¨ ā§§ā§Š. āĻ¤ā§āĻ˛ā§ āĻ§āĻ°āĻž ā§§ā§Ē. āĻāĻĻāĻŋāĻŽ, āĻĒā§āĻ°āĻžāĻā§āĻ¨ ā§§ā§Ģ. āĻ¸āĻŽā§āĻŽā§āĻšāĻŋāĻ¤ āĻāĻ°āĻž, āĻŽāĻ¨ā§āĻ¤ā§āĻ°āĻŽā§āĻā§āĻ§ ā§§ā§Ŧ. āĻ¤ā§āĻ˛ā§ āĻ§āĻ°āĻž ā§§ā§. āĻ¯ā§āĻ |
English | evsjv |
18. Reveal (v)
19. Trivial (adj) 20. Portrayal (n) 21. Delicate (adj) 22. Audience (n) 23. Conscience (n) 24. Issue (n) 25. Pioneer (n) 26. Nationalist (n) |
ā§§ā§Ž. āĻĒā§āĻ°āĻāĻžāĻļ āĻāĻ°āĻž, āĻāĻžāĻ¨āĻŋā§ā§ āĻĻā§āĻā§āĻž
ā§§ā§¯. āĻŽāĻžāĻŽā§āĻ˛āĻŋ, āĻ¤ā§āĻā§āĻ, āĻ¨āĻāĻ¨ā§āĻ¯ ā§¨ā§Ļ. āĻāĻŋāĻ¤ā§āĻ°āĻžā§āĻŖ ā§¨ā§§. āĻ¸ā§āĻā§āĻˇā§āĻŽ ā§¨ā§¨. āĻļā§āĻ°ā§āĻ¤āĻžāĻŽāĻ¨ā§āĻĄāĻ˛ā§ ā§¨ā§Š. āĻŦāĻŋāĻŦā§āĻ, āĻā§āĻ¤āĻ¨āĻž ā§¨ā§Ē. āĻŦāĻŋāĻˇā§, āĻĒā§āĻ°āĻ¸āĻā§āĻ ā§¨ā§Ģ. āĻĒāĻĨāĻŋāĻā§ā§, āĻ āĻā§āĻ°āĻĻā§āĻ¤ ā§¨ā§Ŧ. āĻāĻžāĻ¤ā§ā§āĻ¤āĻžāĻŦāĻžāĻĻā§ |
English | evsjv |
27. Attempt (n)
28. Rid (v) 29. Troubled (adj) 30. Legacy (n) 31. Honourific (adj) 32. Officials (n) 33. Radical (adj) 34. Leadership (n) 35. Oust (v) |
ā§¨ā§. āĻā§āĻˇā§āĻāĻž/ āĻāĻĻā§āĻ¯ā§āĻ
ā§¨ā§Ž. āĻŽā§āĻā§āĻ¤ āĻāĻ°āĻž ā§¨ā§¯. āĻ āĻ¸ā§āĻĨāĻŋāĻ°āĻ¤āĻžāĻĒā§āĻ°ā§āĻ¨/ āĻā§āĻ˛āĻŽā§āĻ˛ā§ ā§Šā§Ļ. āĻāĻ¤ā§āĻ¤āĻ°āĻžāĻ§āĻŋāĻāĻžāĻ° ā§Šā§§. āĻ¸āĻŽā§āĻŽāĻžāĻ¨āĻ¸ā§āĻāĻ ā§Šā§¨. āĻāĻ°ā§āĻŽāĻāĻ°ā§āĻ¤āĻžāĻŦā§āĻ¨ā§āĻĻ ā§Šā§Š. āĻ¸āĻāĻ¸ā§āĻāĻžāĻ°āĻŦāĻžāĻĻā§/ āĻĒā§āĻ°āĻāĻ¤āĻŋāĻļā§āĻ˛ ā§Šā§Ē. āĻ¨ā§āĻ¤ā§āĻ¤ā§āĻŦ ā§Šā§Ģ. āĻŦāĻŋāĻ¤āĻžā§āĻŋāĻ¤ āĻāĻ°āĻž |
English | evsjv |
36. Command (n)
37. Subsequently (adv) 38. House arrest (Phrase) 39. Escape (v) 40. Wing (n) 41. Throughout (prep) |
ā§Šā§Ŧ. āĻāĻ¤ā§āĻ¤ā§āĻŦ/ āĻ¨āĻŋā§āĻ¨ā§āĻ¤ā§āĻ°āĻŖ āĻā§āĻˇāĻŽāĻ¤āĻž
ā§Šā§. āĻĒāĻ°āĻŦāĻ°ā§āĻ¤ā§āĻ¤ā§ ā§Šā§Ž. āĻā§āĻšāĻŦāĻ¨ā§āĻĻā§ ā§Šā§¯. āĻĒāĻžāĻ˛āĻŋā§ā§ āĻ¯āĻžāĻā§āĻž ā§Ēā§Ļ. āĻļāĻžāĻāĻž ā§Ēā§§. āĻ¸āĻžāĻ°āĻžāĻĻā§āĻļā§/ āĻĻā§āĻļāĻŦā§āĻ¯āĻžāĻĒā§ |