Learn EnglishSpoken English

Movie Discussion – Example Dialogue; Day: 87

Movie Discussion – Example Dialog

As of this writing, the latest movie I saw was The Last Samurai. After the movie, I had a meal with a couple of people. We had a good discussion due to this movie. It is difficult to specifically teach what you will need to know about movie conversations because every movie will require different words and sentences. The only thing I can do here is to give ideas and couple of examples about movie conversations. So this is not really going to be a practice section, but a chance to hear a real conversation from a movie.

āĻŽā§āĻ­āĻŋ āφāϞ⧋āϚāύāĻž – āωāĻĻāĻžāĻšāϰāĻŖ āĻĄāĻžāϝāĻŧāĻžāϞāĻ—

āĻāχ āϞ⧇āĻ–āĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ, āφāĻŽāĻžāϰ āĻĻ⧇āĻ–āĻž āϏāĻ°ā§āĻŦāĻļ⧇āώ āĻŽā§āĻ­āĻŋ āĻ›āĻŋāϞ āĻĻā§āϝ āϞāĻžāĻ¸ā§āϟ āϏāĻžāĻŽā§āϰāĻžāχāĨ¤ āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻĒāϰ⧇, āφāĻŽāĻŋ āĻ•āϝāĻŧ⧇āĻ•āϜāύ⧇āϰ āϏāĻžāĻĨ⧇ āĻ–āĻžāĻŦāĻžāϰ āϖ⧇āϝāĻŧ⧇āĻ›āĻŋāϞāĻžāĻŽāĨ¤ āĻāχ āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻ•āĻžāϰāϪ⧇ āφāĻŽāϰāĻž āĻ­āĻžāϞ⧋ āφāϞ⧋āϚāύāĻž āĻ•āϰ⧇āĻ›āĻŋāĨ¤ āĻŽā§āĻ­āĻŋ āĻ•āĻĨā§‹āĻĒāĻ•āĻĨāύ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āφāĻĒāύāĻžāϰ āϕ⧀ āϜāĻžāύāϤ⧇ āĻšāĻŦ⧇ āϤāĻž āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āĻļ⧇āĻ–āĻžāύ⧋ āĻ•āĻ āĻŋāύ āĻ•āĻžāϰāĻŖ āĻĒā§āϰāϤāĻŋāϟāĻŋ āϏāĻŋāύ⧇āĻŽāĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻļāĻŦā§āĻĻ āĻāĻŦāĻ‚ āĻŦāĻžāĻ•ā§āϝ āĻĒā§āϰāϝāĻŧā§‹āϜāύāĨ¤ āφāĻŽāĻŋ āĻāĻ–āĻžāύ⧇ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻ•āĻžāϜ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŋ āϤāĻž āĻšāϞ āϏāĻŋāύ⧇āĻŽāĻž āĻ•āĻĨā§‹āĻĒāĻ•āĻĨāύ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϧāĻžāϰāĻŖāĻž āĻāĻŦāĻ‚ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āωāĻĻāĻžāĻšāϰāĻŖ āĻĻ⧇āĻ“āϝāĻŧāĻžāĨ¤ āϤāĻžāχ āĻāϟāĻŋ āϏāĻ¤ā§āϝāĻŋāχ āĻāĻ•āϟāĻŋ āĻ…āύ⧁āĻļā§€āϞāύ āĻŦāĻŋāĻ­āĻžāĻ— āĻšāϤ⧇ āϝāĻžāĻšā§āϛ⧇ āύāĻž, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻāĻ•āϟāĻŋ āϏāĻŋāύ⧇āĻŽāĻž āĻĨ⧇āϕ⧇ āĻāĻ•āϟāĻŋ āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻ•āĻĨā§‹āĻĒāĻ•āĻĨāύ āĻļā§‹āύāĻžāϰ āϏ⧁āϝ⧋āĻ—āĨ¤

A: “Did you like the movie?”
B: “It was better than I thought.”
C: “I liked it.”
A: “The movie didn’t have many cheesy or stupid scenes.”
B: “Yeah. I’m glad that they didn’t have any love scenes. Sometimes a love scene destroys a good movie.”
C: “I thought the scene where the girl was washing her hair and Tom Cruise came to say good bye was stupid. Why did they have that there? It didn’t make sense.”
B: “I agree. They didn’t need that scene.”
A: “I don’t see the harm in that scene. They didn’t do anything or show anything. What’s the big deal?”
C: “When you are talking about good movies versus great movies, each and every scene counts.”
A: “That’s true.”
B: “But besides those one or two scenes, the movie was great.”
A: “I liked everything about it. I really liked the samurai that was beating up Cruise in the beginning of the movie. The guy second in command. He was cool too.”
B: “Every movie has a guy like him. They try to make him awesome even though they don’t say much.”
C: “I don’t understand why Tom Cruise went back to that village. If he was the only survivor, wouldn’t that make everyone suspicious about where his loyalty lies?”
A: “It was clear in the movie that he loved the place and the samurais. Clearly everyone knows that he isn’t a traitor. I would have done the same thing in his position.”
B: “I think so too.”
C: “But isn’t it suspicious that he is the only survivor.”
A: “Well, all the samurais were looking for a death in battle. Cruise wasn’t.”
C: “But only the boss received the satisfaction of being killed with the sword. Nobody else did.”
A: “True.”
B: “What are we going to order?”
C: “I am going to have a chicken burger because of the Mad Cow disease.”
A: “Me too.”
B: “I’m just having a soup and salad.”

āĻ: “āφāĻĒāύāĻŋ āĻ•āĻŋ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āϛ⧇āύ?”

āĻŦāĻŋ: “āφāĻŽāĻŋ āϝāĻž āϭ⧇āĻŦ⧇āĻ›āĻŋāϞāĻžāĻŽ āϤāĻžāϰ āĻšā§‡āϝāĻŧ⧇ āĻ­āĻžāϞ āĻ›āĻŋāϞāĨ¤”

āϏāĻŋ: “āφāĻŽāĻŋ āĻāϟāĻž āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āĻ›āĻŋāĨ¤”

āĻ: “āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋāϤ⧇ āĻ…āύ⧇āĻ• āĻ›āϞāĻ›āϞ āĻŦāĻž āĻŦā§‹āĻ•āĻž āĻĻ⧃āĻļā§āϝ āĻ›āĻŋāϞ āύāĻžāĨ¤”

āĻŦāĻŋ: “āĻšā§āϝāĻžāρāĨ¤ āφāĻŽāĻŋ āϖ⧁āĻļāĻŋ āϝ⧇ āϤāĻžāĻĻ⧇āϰ āϕ⧋āύ⧋ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻĻ⧃āĻļā§āϝ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ•āĻ–āύāĻ“ āĻ•āĻ–āύāĻ“ āĻāĻ•āϟāĻŋ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻĻ⧃āĻļā§āϝ āĻāĻ•āϟāĻŋ āĻ­āĻžāϞ⧋ āϏāĻŋāύ⧇āĻŽāĻžāϕ⧇ āύāĻˇā§āϟ āĻ•āϰ⧇ āĻĻ⧇āϝāĻŧāĨ¤”

āϏāĻŋ: “āφāĻŽāĻŋ āϭ⧇āĻŦ⧇āĻ›āĻŋāϞāĻžāĻŽ āϝ⧇ āĻŽā§‡āϝāĻŧ⧇āϟāĻŋ āϤāĻžāϰ āϚ⧁āϞ āϧ⧁āϝāĻŧ⧇ āĻĢ⧇āϞāĻ›āĻŋāϞ āĻāĻŦāĻ‚ āϟāĻŽ āĻ•ā§āϰ⧁āϜ āĻŦāĻŋāĻĻāĻžāϝāĻŧ āϜāĻžāύāĻžāϤ⧇ āĻāϏ⧇āĻ›āĻŋāϞ āϏ⧇āϟāĻŋ āĻŦā§‹āĻ•āĻžāĻŽāĻŋ āĻ›āĻŋāϞāĨ¤ āϕ⧇āύ āϤāĻžāĻĻ⧇āϰ āϏ⧇āĻ–āĻžāύ⧇ āĻ›āĻŋāϞ? āĻāϰ āϕ⧋āύ⧋ āĻŽāĻžāύ⧇ āĻšāϝāĻŧ āύāĻžāĨ¤”

āĻŦāĻŋ: “āφāĻŽāĻŋ āϰāĻžāϜāĻŋāĨ¤ āϤāĻžāĻĻ⧇āϰ āϏ⧇āχ āĻĻ⧃āĻļā§āϝ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻ›āĻŋāϞ āύāĻžāĨ¤”

āĻ: “āφāĻŽāĻŋ āϏ⧇āχ āĻĻ⧃āĻļā§āϝ⧇ āĻ•ā§āώāϤāĻŋ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻšā§āĻ›āĻŋ āύāĻžāĨ¤ āϤāĻžāϰāĻž āĻ•āĻŋāϛ⧁āχ āĻ•āϰ⧇āύāĻŋ āĻŦāĻž āĻ•āĻŋāϛ⧁ āĻĻ⧇āĻ–āĻžāϝāĻŧāύāĻŋāĨ¤ āĻāϤ⧇ āĻŦāĻĄāĻŧ āĻ•āĻĨāĻž āϕ⧀?”

āϏāĻŋ: “āφāĻĒāύāĻŋ āϝāĻ–āύ āĻ­āĻžāϞ⧋ āϏāĻŋāύ⧇āĻŽāĻž āĻŦāύāĻžāĻŽ āĻĻ⧁āĻ°ā§āĻĻāĻžāĻ¨ā§āϤ āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻ•āĻĨāĻž āĻŦāϞāϛ⧇āύ, āϤāĻ–āύ āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻĻ⧃āĻļā§āϝāχ āĻ—āĻŖāύāĻž āĻ•āϰ⧇āĨ¤”

āĻ: “āĻāϟāĻž āϏāĻ¤ā§āϝāĻŋāĨ¤”

āĻŦāĻŋ: “āϤāĻŦ⧇ āϏ⧇āχ āĻāĻ• āĻŦāĻž āĻĻ⧁āϟāĻŋ āĻĻ⧃āĻļā§āϝ āĻ›āĻžāĻĄāĻŧāĻžāĻ“, āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āĻĻ⧁āĻ°ā§āĻĻāĻžāĻ¨ā§āϤ āĻ›āĻŋāϞāĨ¤”

āϏāĻŋ: “āφāĻŽāĻŋ āĻāϟāĻŋ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϏāĻŦāĻ•āĻŋāϛ⧁āχ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āĻ›āĻŋāĨ¤ āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻļ⧁āϰ⧁āϤ⧇ āϝ⧇ āϏāĻžāĻŽā§āϰāĻžāχ āĻ•ā§āϰ⧁āϜāϕ⧇ āĻŽāĻžāϰāϧāϰ āĻ•āϰāĻ›āĻŋāϞ āφāĻŽāĻŋ āϏāĻ¤ā§āϝāĻŋāχ āϤāĻžāϕ⧇ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āĻ›āĻŋāĨ¤ āϞ⧋āĻ•āϟāĻŋ āϏ⧇āϕ⧇āĻ¨ā§āĻĄ āχāύ āĻ•āĻŽāĻžāĻ¨ā§āĻĄāĨ¤ āϏ⧇āĻ“ āĻĻ⧁āĻ°ā§āĻĻāĻžāĻ¨ā§āϤ āĻ›āĻŋāϞāĨ¤”

āĻŦāĻŋ: “āĻĒā§āϰāϤāĻŋāϟāĻŋ āϏāĻŋāύ⧇āĻŽāĻžāϝāĻŧ āϤāĻžāϰ āĻŽāϤ⧋ āĻāĻ•āϜāύ āϞ⧋āĻ• āĻĨāĻžāϕ⧇āĨ¤ āϤāĻžāϰāĻž āϤāĻžāϕ⧇ āĻĻ⧁āĻ°ā§āĻĻāĻžāĻ¨ā§āϤ āĻ•āϰāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰ⧇ āϝāĻĻāĻŋāĻ“ āϤāĻžāϰāĻž āĻŦ⧇āĻļāĻŋ āĻ•āĻŋāϛ⧁ āύāĻž āĻŦāϞ⧇āĨ¤”

āϏāĻŋ: “āφāĻŽāĻŋ āĻŦ⧁āĻāϤ⧇ āĻĒāĻžāϰāĻ›āĻŋ āύāĻž āϕ⧇āύ āϟāĻŽ āĻ•ā§āϰ⧁āϜ āϏ⧇āχ āĻ—ā§āϰāĻžāĻŽā§‡ āĻĢāĻŋāϰ⧇ āϗ⧇āϞ⧇āύāĨ¤ āϝāĻĻāĻŋ āϤāĻŋāύāĻŋāχ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻŦ⧇āρāĻšā§‡ āĻĨāĻžāϕ⧇āύ, āϤāĻžāĻšāϞ⧇ āĻ•āĻŋ āϤāĻžāϰ āφāύ⧁āĻ—āĻ¤ā§āϝ āϕ⧋āĻĨāĻžāϝāĻŧ āϰāϝāĻŧ⧇āϛ⧇ āϤāĻž āύāĻŋāϝāĻŧ⧇ āϏāĻŦāĻžāχ āϏāĻ¨ā§āĻĻ⧇āĻš āĻ•āϰāĻŦ⧇ āύāĻž?”

āĻ: “āĻŽā§āĻ­āĻŋāϤ⧇ āĻāϟāĻž āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ›āĻŋāϞ āϝ⧇ āϤāĻŋāύāĻŋ āϜāĻžāϝāĻŧāĻ—āĻž āĻāĻŦāĻ‚ āϏāĻžāĻŽā§āϰāĻžāχāĻĻ⧇āϰ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāϤ⧇āύāĨ¤ āĻ¸ā§āĻĒāĻˇā§āϟāϤāχ āϏāĻŦāĻžāχ āϜāĻžāύ⧇āύ āϝ⧇ āϤāĻŋāύāĻŋ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāϘāĻžāϤāĻ• āύāύāĨ¤ āφāĻŽāĻŋ āϤāĻžāϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ⧇ āĻāĻ•āχ āĻ•āĻžāϜ āĻ•āϰāϤāĻžāĻŽāĨ¤”

āĻŦāĻŋ: “āφāĻŽāĻŋāĻ“ āϤāĻžāχ āĻŽāύ⧇ āĻ•āϰāĻŋāĨ¤”

āϏāĻŋ: “āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻāϟāĻž āĻ•āĻŋ āϏāĻ¨ā§āĻĻ⧇āĻšāϜāύāĻ• āύāϝāĻŧ āϝ⧇ āϤāĻŋāύāĻŋāχ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻŦ⧇āρāĻšā§‡ āφāϛ⧇āύāĨ¤”

āĻ: “āφāĻšā§āĻ›āĻž, āϏāĻŽāĻ¸ā§āϤ āϏāĻžāĻŽā§āϰāĻžāχ āϝ⧁āĻĻā§āϧ⧇ āĻŽā§ƒāĻ¤ā§āϝ⧁ āϖ⧁āρāϜāĻ›āĻŋāϞāĨ¤ āĻ•ā§āϰ⧁āϜ āĻ›āĻŋāϞ āύāĻžāĨ¤”

āϏāĻŋ: “āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāϰāĻŦāĻžāϰāĻŋāϰ āφāϘāĻžāϤ⧇ āĻŽā§‡āϰ⧇ āĻĢ⧇āϞāĻžāϰ āϤ⧃āĻĒā§āϤāĻŋ āĻļ⧁āϧ⧁ āĻŦāϏāχ āĻĒ⧇āϝāĻŧ⧇āϛ⧇āύāĨ¤ āφāϰ āϕ⧇āω āĻ•āϰ⧇āύāĻŋāĨ¤”

āĻāĻ•āϟāĻŋ āϏāĻ¤ā§āϝ.”

āĻŦāĻŋ: “āφāĻŽāϰāĻž āĻ•āĻŋ āĻ…āĻ°ā§āĻĄāĻžāϰ āĻ•āϰāϤ⧇ āϝāĻžāĻšā§āĻ›āĻŋ?”

āϏāĻŋ: “āĻŽā§āϝāĻžāĻĄ āĻ•āĻžāω āϰ⧋āϗ⧇āϰ āĻ•āĻžāϰāϪ⧇ āφāĻŽāĻŋ āĻāĻ•āϟāĻŋ āϚāĻŋāϕ⧇āύ āĻŦāĻžāĻ°ā§āĻ—āĻžāϰ āϖ⧇āϤ⧇ āϝāĻžāĻšā§āĻ›āĻŋāĨ¤”

āĻ: “āφāĻŽāĻŋāĻ“āĨ¤”

āĻŦāĻŋ: “āφāĻŽāĻŋ āĻļ⧁āϧ⧁ āĻāĻ•āϟāĻŋ āĻ¸ā§āϝ⧁āĻĒ āĻāĻŦāĻ‚ āϏāĻžāϞāĻžāĻĻ āĻ–āĻžāĻšā§āĻ›āĻŋāĨ¤”